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Rieding, Oscar - Concertino in Hungarian Style in A Minor, Op 21 - edited by Kurt Sassmannshaus - Bärenreiter
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Rieding, Oscar - Concertino in Hungarian Style in A Minor, Op 21 - edited by Kurt Sassmannshaus - Bärenreiter
Oskar Rieding’s Concertino op. 21 makes use of 1st and 3rd position exclusively to keep things simple for the intermediate player. Hungarian influence echoes in the Andante sostenuto on the high and low strings of the violin; extensive semiquaver (sixteenth-note) passages in the Allegro moderato require basic dexterity in the left hand combined with frequent use of accented bowing in the right hand. The edition contains a solo violin part and a piano reduction for the accompanist.
The series Bärenreiter’s Easy Concertos” is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these wonderful concert pieces and include tips for successful first concerts.
The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
The series Bärenreiter’s Easy Concertos” is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these wonderful concert pieces and include tips for successful first concerts.
The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
$5.49
Original: $15.70
-65%Rieding, Oscar - Concertino in Hungarian Style in A Minor, Op 21 - edited by Kurt Sassmannshaus - Bärenreiter—
$15.70
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Oskar Rieding’s Concertino op. 21 makes use of 1st and 3rd position exclusively to keep things simple for the intermediate player. Hungarian influence echoes in the Andante sostenuto on the high and low strings of the violin; extensive semiquaver (sixteenth-note) passages in the Allegro moderato require basic dexterity in the left hand combined with frequent use of accented bowing in the right hand. The edition contains a solo violin part and a piano reduction for the accompanist.
The series Bärenreiter’s Easy Concertos” is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these wonderful concert pieces and include tips for successful first concerts.
The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
The series Bärenreiter’s Easy Concertos” is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these wonderful concert pieces and include tips for successful first concerts.
The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
